Who was Leonardo da Vinci's Love? His life partner went by many names: Gian Giacomo Caprotti da Oreno aka: Salai, Salino, Andrea Salai, and Giacomo.
"—Thief, liar, obstinate, glutton." Leonardo's longest relationship and the person mentioned most in his notebooks.
Giacomo created paintings under the name of Andrea Salaì. He began living with Leonardo at age 10 and became his student, lifelong servant, and companion.
Salaì as Narcissus painted by Giovanni Antonio Boltraffio.
This painting of Giacomo Andrea Salai as Narcissus was painted in the school of Leonardo da Vinci by one of da Vinci's main pupils, Giovanni Antonio Boltraffio. The myth of Narcissus has inspired artists for at least two thousand years.
Nemesis (as an aspect of Aphrodite), the goddess of revenge, noticed this behavior after learning the story and decided to punish Narcissus.
Once, during the summer, he was getting thirsty after hunting, and the goddess lured him to a pool where he leaned upon the water and saw himself in the bloom of youth. Narcissus did not realize it was merely his own reflection and fell deeply in love with it, as if it were another young man. Unable to leave the allure of his image, he eventually realized that his love could not be reciprocated and he melted away from the fire of passion burning inside him, eventually turning into a gold and white flower.
Bacchus painted by Leonardo da Vinci
Giacomo was the model for the Mona Lisa, St. John the Baptist, Bacchus, and the Salvatore Mundi among others. Interestingly, the letters which form "Mona Lisa" can be rearranged to form "Mon Salaì".
Salai means: "Little Devil" "The Unclean one".
Salvator Mundi by Leonardo da Vinci
In Leonardo's own words about Giacomo:
"Giacomo came to live with me on St.-Mary Magdalen’s (July 22, 1490) aged 10 years. The second day I had two shirts cut out for him, a pair of hose, and a jerkin, and when I put aside some money to pay for these things he stole 4 Lire -the money out of the purse; and I could never make him confess, though I was quite certain of the fact.—Thief, liar, obstinate, glutton.
The day after, I went to sup with Giacomo Andrea, and the said Giacomo supped for two and did mischief for four; for he brake 3 cruets, spilled the wine, and after this came to sup where I..."
"On the 26th January following, I, being in the house of Messer Galeazzo da San Severino, was arranging the festival for his jousting, and certain footmen having undressed to try on some costumes of wild men for the said festival, Giacomo went to the purse of one of them which lay on the bed with other clothes, 2 lire 4 S, and took out such money as was in it."
"On the 7th day of September he stole a silver point of the value of 22 soldi from Marco who was living with me, 4 lire this being of silver; and he took it from his studio, and when the said Marco had searched for it a long while he found it hidden in the said Giacomo's box 4 lire."
"Again, on the 2nd April, Giovan Antonio having left a silver point on a drawing of his, Giacomo stole it, and this was of the value of 24 soldi 1 lira."
“SALAI IOUOREPASERECOENOGUERE. NOPIUGERA. HEIOMARENDO”
“SALAI, I WANT TO REST, NO MORE WARS. NO MORE WAR. I SURRENDER.”
Saint John the Baptist, painted by Leonardo
Giacomo earned the nickname Salaì because of his lying, thievery and breaking things. The name Salaì is used more than any other in all of Leonardo's journals.
The Mona Lisa
Angelo Incarnato, drawing of Salaì by Leonardo
He stayed with Leonardo for almost 30 years. Leonardo left half of his vineyard to Giacomo upon his death. It is believed that upon Leonardo's death in 1519, he inherited several paintings including the Mona Lisa. Through his estate, many of those works, notably the Mona Lisa, passed into the possession of Francis I King of France.
Portrait of Salaì by Unknown, but is most likely a self portrait with help from Leonardo.
Monna Vanna, a nude version of Mona Lisa, Painted by Salaì
Head of Christ the Redeemer painted by Salaì
The Penitent Magdalene, painted by Salaì
Study of Salaì by Leonardi da Vinci
An old man and a young man. The young man represents Giacomo Salaì. Drawing a la sanguine by Leonardo da Vinci.